Some toy version of Snowy The Dog will appear in the bedrooms of millions of kids over the next few years. Jackson is directing a second film, and opportunities for building on the existing Tintin book sales and merchandising are dramatic.
The adventures of tintin ii movie#
It’s not like a Disney animated movie which hits very young children and its intense action and adult notions will mean its fanbase starts slightly older – 10 or so.
The adventures of tintin ii full#
This digital movie is never creepy, but full of charm and excitement, and the audience becomes instantly hooked on its visual style within minutes. Spielberg’s expert storytelling and understanding of his vintage material is just as crucial here as the technology. It’s a clever reverse of conventional wisdom whereby the US dictates openings in the rest of the world, and should pay dividends for the production.Įxpanding on the superior motion capture technology developed by Jackson’s Weta Digital for Avatar, Spielberg is the first film-maker to render humans with success, helped by the fact that the characters’ faces possess many of the exaggerated features drawn by Herge.Īnd if Robert Zemeckis, who pioneered the technique in the Polar Express, Beowulf and A Christmas Carol, is jealous, he should be. Its inevitable success here will no doubt help to build buzz for domestic family audiences to whom the world of Tintin is an unknown. Since Tintin is a European phenomenon first and foremost, Spielberg and his distributors Paramount and Sony opted to release the film at the end of this month in Europe before a Christmas US release. The Tintin adventures are rip-roaring and old-fashioned – and this film takes the audience into that era in more ways than one. It’s an example of what the Hollywood system does best – harness the best material, talent and technology in the world and cook it up into unadulterated entertainment for young and old alike. The Secret Of The Unicorn is a spellbinding cinematic feat which delivers Tintin to a new generation with the same exhilaration as Spielberg and Lucas reinvented the ‘30s serials in Raiders Of The Lost Ark 30 years ago. That one shot covers miles of space, jumping up into the sky and darting seamlessly in and out of buildings.The Herge estate must be thrilled that they entrusted Tintin to Steven Spielberg and Peter Jackson who bring the character to the screen with much of the books’ humour, spirit and sense of adventure intact. Tintin doesn't have any of those limitations. Even the most ambitious live-action filmmaker couldn't cover any more space than they could lay down tracks for. Normally, this means we'd be stuck looking from the same perspective the whole time. Most spectacular of all, there's the chase scene in Bagghar, which goes on for nearly five minutes without a cut. It can begin one shot behind the controls of a crane, then move straight through the windshield all the way across the docks and behind the windshield of another as smoothly as if the glass didn't exist. The simulated "camera" can begin a shot zoomed all the way in on the reflection in a pirate's sword and then move all the way out until both ships look as small as bathtub toys. That means he can do all kinds of tricks that would be impossible in live-action. Instead of a big, bulky camera, Spielberg gets to work with one that's literally weightless because it only exists in computer code.
Those dreams finally came true in 2011 - minus Nicholson - and it was more than worth the wait.Ī lot of that comes from his move to animation. Spielberg had never heard of Tintin before, but soon he was hooked, and he spent the next several decades trying to bring it to the big screen, beginning with a 1984 production that would've starred Jack Nicholson as Captain Haddock. The Philippine Daily Inquirer reports Spielberg's love of Tintin began with the release of Raiders of the Lost Ark, which one critic at the time compared to Hergé's comics. And both movies even feature a secret message that's only visible when the sun hits an age-old artifact just right. Plus, Tintin narrowly escapes the fate of Raiders' Nazi mechanic when he passes out next to a propeller. And if the fictional sultanate of Bagghar isn't the same as the Egyptian city Indy traveled to in Raiders of the Lost Ark, it's not too far off, either. Those movies also took a globetrotting hero across a world that existed before World War II really started, all in search of ancient treasures, with characters traveling by seaplanes and rusty iron ships.
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